I was a senior in high school when I wrote "Dirt." I think I had recently listened to the Red Hot Chili Peppers album, "Blood Sugar Sex Magic", which may have influenced the rap-ish style of the song. I remember sitting in my old bedroom for some reason, and writing the song in one sitting. Even at 17, I had written epic songs. At five verses, this certainly qualified, but unlike some of my other epics, there wasn't any fat to trim. If you scroll down and read the lyrics, I think you'll see why I'm justifiably proud of this accomplishment.
At that point I was heavily influenced by Bob Dylan, and what I can only call underground music- alternative, punk? It wasn't alternative yet, and it wasn't punk like the Clash. I listened to Jane's Addiction, Dinosaur Jr. and I frequented hardcore shows in Louisville, because that seemed to be the only scene for young musicians, but I can't say that I was ever welcomed into that scene. At any rate, this is what results when you combine early 90s alternative with Bob Dylan.
However, unlike all those sources, I was really trying to dig through the dirt at that age to find something positive. Dylan's "A Hard Rain's a Gonna Fall" and "It's All-Right, Ma (I'm Only Bleeding)" were tremendoustly influential in terms of creating songs that present a cascade of images to the listener, but they both illustrated a kind of existential crisis, which I resisted. Many of the underground music that I listened to had a cynical view of the world, which I also resisted. As dark a song as "Dirt" might seem at first, it's not a cynical song. If anything, I was trying to demonstrate the bankruptcy of a worldview that reduces life to a shallow, materialistic emptiness. How ugly is everything, if everything is dirt?
The song was easily Satori's "hit", assuming that you could understand what I was saying. Still, the song never left the set list in all the years of Satori's existence. Often-times, it was the show-closer, with guitar solos, and drum solos. The song always propelled itself into a lengthy jam. The song evolved over the years and became less punk and more rap-rock over the years. My idea of a rap delivery was MCA of the Beastie Boys.
When we recorded this song in Pittsburgh for this album, we were playing the song live- minus vocals. I felt that I had flubbed the solo, but Brian Gager and Andrew Lee (our producers) convinced me that it sounded great. Because of the lack of sonic separation, we would have had to record the song from scratch, but that wasn't their motivation. I think they thought my recovery made the flub seem intentional, and the intentionally late return from the second bridge gave the recording a kind of exciting uncertainty.
Brian had the idea that the video should end in spy chase. We used to joke that we made spy music, and the ending to "Dirt" certainly had that vibe. As you listen to the end, imagine a car chase with a James Bond type in a tux and fancy car.
How much more can you demand of me?
I tell you the truth, you jail me for profanity
You're free of criminals, save for your own vanity
You ever be totally clean?
How many victims in your crusade for purity?
How close is your endgame of security?
Honesty is just another casualty until your vision is complete
So let's all clap hands
Don't blink if it hurts
No call to understand
If everyone is dirt.
Soul game, nothin' could be easier
Don't believe, it's a question of pleasing her
How much are you willing to release for her
Nothing but everything will do
Mystify, rectify, justify, testify
We've got a darkness nothing can purify
Don't be a hero Heros are crucified
Nobody sheds a tear
So let's all clap hands
Don't blink if it hurts
No call to understand
If everyone is dirt.
Once I had a dream, I had a vision
A light was tearing through all of religion
Saved from a head-on collision
Ready to taste our fate
Stared at- a victim of analysis
Tied down- political paralysis
Don't turn away! Visions of apocalypse
Tell me it's not too late
So let's all clap hands
Don't blink if it hurts
No call to understand
If everyone is dirt.
You stand tall, the moral majority
Let me introduce you to the mortal minority
Don't be afraid, it's the death of authority
We're ready to break away
Ask yourself what is it that's chaining me
All these years of testing and training me
Pressures' on, stripping and straining me
Why should I live that way?
So let's all clap hands
Don't blink if it hurts
No call to understand
If everyone is dirt.
You never blinked once at a traffic fatality
You were never quite sure it was a part of reality
Time's up! Face your own mortality
As gruesome as it may seem
Naked now, born without a history
Could it be the key to your nagging misery?
Now that your clean, it's the end of your mystery
Is it as bad as you dreamed?
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